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| User
Spotlight : |
Industria
Super Studios,
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 Julien
Courtois, Master
+, Rennes, France Julien Courtois is responsible for the Live-Recording of "Nouvelle Vague" in GRAND REX (PARIS) and Mixing and Mastering. He recently opened his own Mastering Studio. The Mainframe consists out of Dangerous Monitor, Master and MQ. Julien loves to work with the Dangerous stuff giving him : Transparency, lots of Headroom and Functionality. |
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Mastering Engineer David Kutch
Gets Dangerous in NYC One of the things that most attracted me to the Dangerous Master is that there are only 3 inserts. More inserts equals more noise. In this scenario: LESS IS BETTER! At this stage I can insert any of my analog equalizers or compressors as needed. I can also insert an EQ or de-esser into the ‘S&M’ or Mid–Side circuit [of the Master] so I can process the mono and stereo program material independently, as well as increase or decrease the stereo width without messing with the phase. I’ve tried other devices that claim to do this but they do not even come close. |
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David Kahne gets Dangerous (Paul McCartney,
Tony Bennet, The Strokes)
Fant-Saez revealed, "I replaced my SSL with a Dangerous Music
system |
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Nick, Mastering Mansion,
Madrid Spain One of the finest Mastering Studios in Spain. Nick is working with the Dangerous Master. |
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 Xavier Delpech, Rare Analog Studio, Taussat Rasproduction Xavier has a beautiful Studio in Taussat in the "bassin d'Arcachon" near Bordeaux. His Hi-end Setup includes a Monitor ST Controller and 2Bus LT Summing Amp. |
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Sterling
Sound - New York City Chris Athens uses a lot of Dangerous Music |
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Pino Pischetola - Industria,
Milano |
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Producer & Engineer Robert Carranza Is
Dangerous Tsunami Entertainment "I come from the realm of mixing based on analog consoles," says Carranza. "I had been mixing extensively with DAWs but I never felt they gave me the sound that I wanted. I went on a mission to try all the different summing amps out there and when I hit the Dangerous I said 'That's IT!' Running my DAW with the Dangerous 2-BUS on the back end added all this depth and width to the mix. There's such a noticeable benefit using the 2-BUS compared to mixing in-the-box." |
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True Busyness - Bad Oeynhausen (SEEED, Azad, Curse, Raptile, TAZ) Sascha Busy Buehren uses the Dangerous 2Bus |
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Nutsville Noise Lab, Netherlands It's just very cool stuff. Hooked up my Digidesign 192 with 16 outputs to it, using the LT for the Logic audio outputs on a Motu and additional outboard (e.g. bussing a drumgroup through the Manley back to the 2-bus LT,etc.). Me is a happy man! The 2-Busses really sound amazing! Michiel uses the Dangerous 2 Bus & 2 Bus LT |
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Dubway
Studios, NYC "After having FOX try out the Monitor ST/SR, we were quite happy to hear they chose to purchase four units to outfit several studios for surround audio monitor control," said Bob Muller, Dangerous Music’s Founder and Co-owner. "When we designed the Monitor ST/SR, this was one of the key applications we had in mind—film and HD post-production utilizing 5.1 surround sound." Dubway uses the Monitor ST & 2Bus LT |
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Sud
Est Productions, Romania I like so much how D2B sounds. Indeed the diference is big.Thanks again Laurentiu uses the Dangerous 2Bus |
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